翻訳と辞書
Words near each other
・ E-meter
・ E-micro
・ E-mini
・ E-mini S&P
・ E-Motion
・ E-mount
・ E-mu 20K
・ E-mu Audity
・ E-mu Drumulator
・ E-mu Emax
・ E-mu Emulator
・ E-mu Emulator X
・ E-mu Modular System
・ E-mu Proteus
・ E-mu Proteus X
E-mu SP-12
・ E-mu SP-1200
・ E-mu Systems
・ E-Navigation
・ E-ninnu
・ E-Novation
・ E-novine
・ E-NRZ-L
・ E-Office Mission Mode Project
・ E-on Vue
・ E-One
・ E-One Moli Energy
・ E-OTD
・ E-Panchayat Mission Mode Project
・ E-participation


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

E-mu SP-12 : ウィキペディア英語版
E-mu SP-12

E-mu SP-12 12 also known as the “sampling drum computer” was designed in 1985 and widely released in 1986 by E-mu Systems. Although the SP-12 was quickly superseded by the more powerful SP-1200, the SP-12 is often regarded as the first commercially successful drum machine and sampler.
==History==
The E-mu SP-12 was the spiritual successor to E-mu’s “Drumulator” and was originally going to be produced under the name Drumulator II, however shortly before the sampler went into production its name was changed to SP-12. The name SP-12 stands for sampling percussion at twelve bits, demonstrating the power of the sampler. The E-mu SP-12 is credited with helping usher in the era of digital sampling by being one of the first digital samplers in production, and allowing musicians to take digital sampling in a completely different direction.〔
〕 Originally the sole purpose of digital sampling was to allow producers to implement a desired sound into a keyboard so it would be able to be replicated within a song, however the SP-12 allowed the producer to focus primarily on the rhythm through the sampling and sequencing of the sounds of a drum something which was relatively rare at this point in time. The SP-12 would sample the desired drum sound, allowing you to augment it and then sequence the sampled drum sounds in any order that the producer would like to create the rhythmic backdrop for a song. Although this process was very innovative for the SP-12’s true abilities were not E-mu’s original intentions. DJ’s of the 80’s became famous for their ability to augment the sounds of old records to produce almost an entirely new composition through the use of a record player and this same principle was applied to the SP-12. People were beginning to replace the simple sampled drum sounds with the beats of their favorite drummers and even entire melodies, allowing their digital sampler to work just like the aforementioned set of turntables. These series of innovations left musicians with almost an endless amount of possibilities. Once E-mu systems realized the potential that the SP-12 had they quickly made the “Turbo” upgrade available which quadrupled the memory and doubled the sampling time. However the SP-12’s existence was short lived for after only 2 years of production it was replaced by the far superior SP-1200. Today the SP-12 is more of an antique due to the superiority of the SP-1200, but it is still highly regarded as a collector’s item.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「E-mu SP-12」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.